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SONGFACTS PODCAST : ANDY JAMES
In this episode, we're interviewing the talented jazz vocalist and songwriter Andy James. Known for her expressive phrasing and flamenco-inspired flair, Andy has carved out a unique space in contemporary jazz, and her latest album, Happy People, is a radiant, genre-blending celebration of just that: joy, connection, and groove.
Andy’s musical journey has taken her across the globe and into the studio with some legends, including the late, great jazz icon Chick Corea, a close collaborator. Whether she’s interpreting a classic or crafting original compositions, Andy brings both soul and technical brilliance to everything she does.
We talk about the inspiration behind Happy People, her songwriting process, and what blending jazz and flamenco has taught her as a musician. LISTEN HERE
Jazz Weekly Reviews Andy James: Happy People
Instead of simply rehashing standards and styles, vocalist/composer Andy James continues to release material that is both fresh and mature. This time around, she expands her boundaries in a couple of directions, one with a dash of fusion akin to Weather Report as well as a surfeit of Latin ideas percolating around.
James includes a group of her regulars such as Weather Report’s own Alex Acuna/perc as well as John Cowherd/p, John Beasley/B3, Rick Margitza/ts, David Binney/as, Carlito Del Puerto-James Genus/b, John Ellis/ts-ss-bcl, Mino Cinelu/perc and Chico Pinheiro. Throughout the album you feel this exciting tug of war between James delivering an earthy table dance with Cowherd as on the sauntering “Love Is Lost” and the scintillatingly upbeat “Happy People” contested with some modal directions with rich Coltranesque reeds during the supercharged “I Can’t Stop It” and “Dance With You”.
James herself dresses well for each occasion, swirling through the flamenco guitars on “To Be So Young” and oozing a tango through the reeds on a sensuous take of “Besame Mucho” while searing through the rumble of “Caravan”. James is definitely a singer, but she comes across here as one of the musicians in the band, she’s a team player.
The Staffa Corner Podcast Episode 44 Guest: Andy James
BY GREG STAFFA
Andy James takes us on a captivating journey from Melbourne to Madrid and beyond in this illuminating conversation about fusion, culture, and artistic evolution. A world-acclaimed flamenco dancer who pivoted to jazz artistry, James embodies the beautiful intersection of seemingly disparate musical traditions.
James explains how her latest album "Happy People" — recorded across five countries including
Spain, Italy and the United States - represents years of creative development and features fourteen original compositions that showcase this unique fusion.
James offers fascinating insights into flamenco's varied reception worldwide, noting its stronger following in European countries while remaining somewhat on the cultural fringe in America. She sees the United States as an "untapped market" ripe for flamenco's rhythmic complexity and emotional depth, especially when presented through her accessible jazz-fusion approach.
Discover this fascinating musical intersection through Andy James' "Happy People," available now on all streaming platforms, and follow her upcoming tour through Italy as she continues to spread happiness through her innovative approach to cross-cultural musical. LISTEN HERE
Andy James talks about her new album ‘Happy People’ and her future plans
Andy James chatted about her new album “Happy People,” and she shared her future plans.
How did you approach the song selection process for your “Happy People” album?
Although this is an expansive album, the song selection process felt very natural to me.
These songs had been living in my heart and mind for quite some time, and now, being based in the States, I finally had the opportunity to bring them to life.
While living in Spain for many years as a flamenco artist, both Chick Corea and Paco de Lucía would encourage me—whether after a show or during a casual coffee—to be more adventurous in my performances and blend my jazz background with flamenco.
At the time, I didn’t have the courage to do so. I was focused on developing as a traditional flamenco performer and didn’t realize, as they did, that blending genres would have enhanced my artistry rather than detracted from it.
What is your personal favorite song on the album and why?
That’s such a tough question—I truly love them all! But if I had to choose, it would be “I Don’t Know How to Love.” It’s set to a unique flamenco rhythm called Tanguillo, but we arranged it in 6/4 instead of the traditional 12/8 so jazz musicians unfamiliar with flamenco could follow along more easily.
Emotionally, it’s one of the most powerful ballads I’ve ever written—alongside my collaborators Piero Pata and Jon Cowherd.
The song tells the story of a deep love that’s not fully returned, and the eventual realization that it’s time to reclaim your independence: “It’s time for me at last, I know I’m right in this, it’s just my time.”
We began the track with a strong, percussive groove by the legendary Alex Acuña (of Weather Report fame), followed by a haunting and expressive piano intro by Jon Cowherd. My vocals enter with a somber, melancholic tone.
Flamenco guitarist Canito brings soul to the piece with thoughtful rhythmic playing and beautiful fills, and Dave Binney’s alto sax solo adds a surprising and moving touch.
I did my best to give the melody and lyrics the emotional weight they deserved.
Which song is the most personal to you?
That would be “Happy People,” which was actually the first original song written for the album and ultimately became the title track. Out of the 16 tracks—14 originals and two covers—this one sets the tone for the entire record.
It’s written in a flamenco Tangos rhythm in 4/4, with Canito’s signature flamenco guitar pulsing throughout, supported beautifully by Chico Pinheiro.
This song is special to me because it represents my desire to integrate the flamenco rhythms I love into my jazz writing.
I often think of Chick Corea and Paco de Lucía, and I wonder if they would be proud of how Piero, Jon, and I brought these worlds together in this joyful piece.
The lyric “Happy People stay together” captures the uplifting spirit I hoped to convey—especially in today’s turbulent times.
Singing this one was a true joy, especially the jaleos—the spirited vocal interjections used in flamenco to encourage the performers—which brought an added layer of authenticity and fun to the track.
Were you going for a certain theme for this album?
Absolutely. The concept behind Happy People was to reflect my journey as a flamenco performer while also incorporating my experiences in jazz—both in the writing and the performance.
I wanted the listener to feel the emotional depth, soul, and joy that drew me into flamenco at a young age. But I didn’t want to create a purely flamenco record.
Instead, I envisioned a true fusion of both styles—something Chick Corea always championed and mastered so beautifully. This album is my heartfelt homage to that vision.
What do your plans for the future include?
There’s so much on the horizon! On the recording side, I have several projects already completed and ready for release through my label Le Coq Records.
One is a big band album with strings, featuring timeless classics and anchored by the great Joe LaBarbera (of Bill Evans fame). We recorded it at Capitol Records in Studios A and B—an unforgettable experience.
I also have an original album recorded in Nashville with five incredibly talented co-writers. Collaborating with other writers opened up new creative directions I might not have explored on my own.
This project features stunning trumpet work by Nicholas Payton and the legendary pedal steel guitarist Greg Leisz.
There is also a unique Beatles tribute album by John Patitucci and Jon Cowherd that takes the music in an entirely new direction.
On the performance front, I’ll be showcasing Happy People in Italy this May—returning to Rome, where I have such a warm and enthusiastic fan base.
This will be followed by tours in Mexico and the Dominican Republic in July, and then in the U.S. in October.
I just launched the album with a release concert at Herb Alpert’s Vibrato Jazz Club in Los Angeles earlier this month, which was a truly special evening.
What inspires your music and songwriting?
There’s nothing quite like the connection I feel when an audience understands and responds to what I’m expressing.
That’s what inspires me most. I like to bring a unique and expressive vocal style—more classic in tone and phrasing—with a clear focus on lyrical clarity.
I want listeners to feel the meaning behind each word. My songwriting is deeply influenced by the people around me, the highs and lows of life, and my journey through the performing arts. It’s all a part of the story I aim to tell through music.
What would you like to tell our readers about your new album? (What’s the one thing you want them to get out of it)?
I hope listeners come away with a sense of emotional comfort and well-being—the same feeling I had while writing and recording Happy People.
This album was a massive labor of love, with immense care put into every detail—from the songwriting and arranging to the performances and mixing.
We recorded in multiple studios to bring together the dream team of artists involved. The first ten songs were tracked at Power Station in NYC, with additional touches added at The Bunker.
While on tour, we recorded six more originals in Rome at Mob Studios, even pairing Alex Acuña and Mino Cinelu together for the first time—just before playing the Colosseum Jazz Festival.
We then traveled to Seville to work with flamenco talents Canito, Cepillo Sanlucar, and Abel Harana, who added dance and rhythmic flair we had intentionally left space for in the arrangements.
Having incredible partners in production like Piero Pata and Jon Cowherd made a world of difference.
The album was mixed by Josh Connolly at Studio A in Las Vegas and all marketing and visual content for the album was produced by Santiago Interiano of Epic Nights Media, LLC, and a roster of musicians.
Speaking of musicians, these include Jon Cowherd, John Beasley, Carlito del Puerto, James Genus, Marcus Gilmore, Alex Acuña, Mino Cinelu, Canito, Chico Pinheiro, John Ellis, Rick Margitza, Dave Binney, Cepillo Sanlucar, Abel Harana, and myself.
I hope this album offers something truly unique and unforgettable. A musical experience that stands apart.
“Happy People” is available on digital service providers by clicking here.
To learn more about Andy James, follow her on Instagram and visit her website.
Back Story Sessions "Happy People": Andy James
Hello Backstory fans! We are back with another great episode where we first dive into some March musings. We kick off by discussing the age-old saying about March's weather, pondering if it's starting like a lion or a lamb. It's been quite a mixture here with some drastic temperature drops!
The focus of this episode is our chat with the incredibly talented Andy James and Piero Pata from the world of flamenco and jazz. Their exciting fusion of these genres in the "Happy People" album is something you won't want to miss. They've traveled from Las Vegas to Sevilla to bring this project to life. Join us as we explore their creative journey and upcoming tour plans.
We also mark a special milestone for Cat's theater group, as she just wrapped up her 11th show! It's amazing how far Tri County Mystery Meets has come in under two years, and they gearing up for the next play called "The Most Human," which promises to warm the hearts of animal lovers everywhere. Plus, find out about Cat's experiments with vegan meals—fishless fish is next on her list! LISTEN HERE
ANDY JAMES TO RELEASE NEW JAZZ-FLAMENCO INSPIRED ALBUM TITLED “HAPPY PEOPLE” AVAILABLE ON MARCH 7 ON ALL STREAMING PLATFORMS
ANDY JAMES TO RELEASE NEW JAZZ-FLAMENCO INSPIRED
ALBUM TITLED “HAPPY PEOPLE” AVAILABLE ON MARCH 7 ON
ALL STREAMING PLATFORMS
THE LE COQ RECORDS 16-TRACK COLLECTION FEATURES
AMERICAN AND LATIN JAZZ GREATS FROM JAMES GENUS TO
JOHN BEASLEY, ALEXA ACUNA, CARLITOS DEL PUERTO,
MARCUS GILMORE, AND MORE
JAMES’ SINGLE, “TO BE SO YOUNG,” DROPS TODAY
Los Angeles, Calif. (January 31, 2025) – Le Coq Records announces the release of vocalist
Andy James’ new 16-track album, HAPPY PEOPLE, to be available on March 7 on all music
streaming platforms (CDs and vinyl to be available at a later date). Fusing jazz and flamenco
music, the two great loves of the multi-talented singer, songwriter and vocalist, the album was
written and produced by Piero Pata and Jon Cowherd, who arranged for an ensemble of
American and Latin jazz greats for the album that explores the emotional ups and downs of
romance while fusing the two musical genres. Pre-save/pre-order the album HERE,
Check out James’ music video for her new single, “To Be So Young,” featuring Chico
Pinheiro arranged by Cowherd and co-written by James, Pata and Cowherd, HERE. Stream the
song HERE.
Long before James moved to the US from Melbourne, Australia to perform in clubs and theaters
in the U.S., record her favorite jazz standards, and formally become a recording artist, James was
a world-acclaimed flamenco dancer in Spain and Europe. Thus, the inspiration to record and
release the new album near and dear to her heart.
Says James, “It’s such a pleasure to finally share my flamenco life story with the jazz audience
through these original compositions in a Flamenco Jazz style! The journey has been incredible,
filled with rhythms that hold so much meaning. I truly believe Piero, Jon, and I have captured the
essence of that story.”
HAPPY PEOPLE, James’ eighth studio album, was recorded in locations all over the world - at
separate junctures from spring to fall 2024 in NYC (Power Station, The Bunker), Rome (Mob
Studio), Seville, Spain (Tempo, Casa Bala) and in James and (her husband) Pata’s adopted
hometown of Las Vegas (Studio A).
In addition to her touring band of Cowherd (piano), John Beasley (B-3), John Ellis (tenor and
soprano sax, bass clarinet) and Rick Margitza (tenor sax), her ensemble on HAPPY PEOPLE
includes leading Brazilian guitarist Chico Pinheiro, Cuban bassist Carlito Del Puerto, drummer
Marcus Gilmore (a onetime member of Chick Corea’s Spanish Heart Band), Peruvian born
percussionist Alex Acuna (formerly of Weather Report), and French percussionist Mino Cinelu.
The U.S.-born backing musicians include saxophonist David Binney and bassist James Genus.
Says Pata: “Producing and co-writing the album ‘Happy People’ with Andy James and Jon
Cowherd was an absolute joy. This project beautifully reflects Andy’s incredible journey through
years of living in Spain as both a flamenco and jazz artist. The talent that came together on this
album is nothing short of breathtaking!”
Adds Cowherd: “It has been an incredible experience working on ‘Happy People,’ and I’m so
honored to have been a part of it on so many levels involving writing, arranging, playing and
producing. The task of combining the traditional rhythms and forms of Flamenco with Jazz
presented a new and exciting opportunity and I am very grateful to Andy James & Piero Pata for
inviting me to the table. I couldn’t be more excited about the release of this collection of songs
performed so sublimely and passionately by Andy.”
James will also be performing at Herb Alpert’s Vibrato Grill Jazz in Los Angeles on March 5 for
a special album release performance backed by Cowherd, Acuna, Chico Pinheiro, Eric Wheeler,
Clarence Penn and David Binney. To purchase tickets check out: HERE.
About Andy James:
After many years as an internationally acclaimed flamenco dancer, based in Madrid, and
traveling the globe with some of the genre’s most acclaimed musicians and performers - from big
theaters in Spain to venues in France, Germany, Czech Republic and Japan (the largest market
for flamenco music in the world) - James toured the world. Leaving the flamenco circuit for a
new life in the U.S., James began casually recording her favorite jazz standards, making an artful
transition into jazz, both as a singer of heartfelt originals and stellar interpreter of timeless
classics and jazz renditions of the Great American Songbook era and beyond when she released
her debut album, CARAVAN, in 2018.
While in Spain, she had participated in players jams at clubs such as Café Madrid, so she felt
right at home when she decided to start performing at jazz clubs across the United States,
including venues in New York, Los Angeles, and Miami, as well as throughout California.
Additionally, she has headlined at prestigious Jazz Festivals across Europe. James and Piero Pata
formed an independent label, Le Coq Records to release her music, working with acclaimed
veteran jazz musicians including John Patitucci, Vinnie Colauita, Nate Smith, Nicholas Payton
Terell Stafford, Alex Acuna, Rick Margitza, Chico Pinheiro, and many more. Previous albums
in James’ discography include: CARAVAN (2018), SHARED LIVES (2019), BLUE (2019),
AN EVENING WITH/ ANDY JAMES AND JOHN PATITUCCI (2021), TU AMOR (2021)
RHYTHM IN NEW YORK (2021) and LET ME SEE YOUR HEART (2024).
Follow Andy James on Instagram at @AndyJamesJazz and please visit: www.andyjames.com.
Andy James Five Things You Need to Create a Highly Successful Career in the Music Industry
By Yitzi Weiner
We think the most important ideas to spread are equality, kindness, and understanding. If everyone were more equal, it might help reduce the conflicts and turmoil we’re seeing today. We know perfect equality isn’t possible — people have different luck and abilities, and that affects everything — but a bit more balance could ease the wars and political strife we’re facing, like what’s happening with Israel. Kindness, peace, and tranquility are also crucial, but they’re hard to achieve when everyone is stuck on their own side, whether it’s far left or far right. If more people could meet in the middle, we’d all be happier. We consider ourselves centrists, trying to see both sides, but it’s difficult. We know we can’t solve the world’s problems — none of us can; it’s way above our pay grade. So we focus on singing, performing, and helping people find a sense of tranquility and calm. It would be great if the world could settle down, and we believe it will because nothing lasts forever. Everything works out in the end…. Click Here for more
Andy James Releases Jazz Rendition of “New York State of Mind”
Jazz vocalist Andy James from Las Vegas, NV put out her own rendition of the Billy Joel classic, “New York State of Mind.” The song, which is accompanied by a music video, is the latest single from her upcoming album, Let Me See Your Heart.
Andy James has been a part of the entertainment industry for years. As an experienced dancer in Europe and a passionate Jazz singer, her music contains musings of her many experiences. She significantly expresses personal messages in her originals and adds new perspectives to beloved jazz songs.
Let Me See Your Heart is James’ fifth album which she will release on August 9 on Le Coq Records. The album features contributions from a variety of renowned jazz musicians and frequent collaborators of James. The music includes pianist Jon Cowherd, drummer Nate Smith, percussionist Alex Acuna and bassist John Patitucci. Additionally, Grammy Award-winning keyboardist John Beasley, saxophonist and bass clarinetist John Ellis, guitarist Chico Pinheiro, and organist Ronnie Foster have features.
The new rendition of “New York State of Mind” is a melting pot of sounds, creating a refreshing alternative to the classic piano ballad. The new perspective is exciting, providing a larger and more upbeat combination of instruments and including a female vocalist. The song reflects James’ jazz beginnings of casually recording songs that spoke to her. James ensured that the song upheld the personal and relaxed value while giving it a fresh spin.
For me, the song that best sums up everything that’s great about this album may, in fact, be ‘New York State of Mind’ – it sounds so new and so different, not only does it makes me feel like I never really heard the song before, but it makes me look at the city itself with whole new eyes. For a lifelong New Yorker, that’s really saying something.
Will Friedwald, Jazz Critic
Andy James is currently on tour, having just played shows at The Cutting Room in New York City, as well as a show in Nashville at Rudy’s Jazz Room. Next, she returns to Europe for a series of shows throughout July and August.
Andy James to Release New Album “Let Me See Your Heart”
Vocalist Andy James to Release New Album “Let Me See Your Heart”
Entrancing Vocalist Andy James Asks,
Let Me See Your Heart on Her Sumptuous New Album for Le Coq Records
Available Aug 9TH 2024 on All Streaming Platforms and CD Worldwide.
All-Star Line-Up Includes John Patitucci, Alex Acuña, John Beasley, Jon Cowherd, Nate Smith, Chico Pinheiro, Ronnie Foster, John Ellis and Others
The title of vocalist Andy James’ latest album is stated as a request, but one listen to Let Me See Your Heart and it becomes clear that James is simply hoping that her audience will reciprocate what she’s already offered. On her most open and vulnerable recording to date, James reveals her heart and soul with each lyric.
Due out August 9th from Le Coq Records, the label that James co-founded with her husband, producer, and co-songwriter Piero Pata, Let Me See Your Heart is graced by the ever-expanding stable of stellar musicians that the imprint has become known for. The all-star ensemble for this date includes percussionist Alex Acuña, bassists John Patitucci, James Genus and Eric Wheeler, pianist Jon Cowherd, keyboardist John Beasley, organist Ronnie Foster, trumpeter Terell Stafford, saxophonists Joel Frahm and John Ellis, flutist Bob Sheppard, trombonist Michael Dease, guitarists Chico Pinheiro, Steve Cardenas, Larry Koonse and Paul Jackson Jr., and drummers Nate Smith, Clarence Penn, Rudy Royston and Johnathan Blake, with arrangements provided by Cowherd and Bill Cunliffe.
The line-up of musicians who breathe life into this music – in the process, showing us their own individual and collective hearts – comprises a who’s who of modern jazz greats. They have also become near and dear to the hearts of James and Pata, and integral to the unified and brilliant sound of Le Coq Records.
The album opens with a funky twist on the Dave Brubeck classic “Take Five,” penned by Paul Desmond with lyrics by Carmen McRae, its famous 5/4 tempo given a sleek contouring reminiscent of Steely Dan. Despite the set’s introspective themes, James made sure to include several more upbeat numbers to showcase the breadth of her influences as well as the many shapes that these feelings of love and loss can assume.
“I gave careful consideration to the more uptempo songs on the album,” she explains. “I felt the record needed those numbers because I found it oh, so very tempting to just compile beautiful, somber songs to stick to my melancholy sentiments.”
In addition to “Take Five,” James also selected Billy Joel’s “New York State of Mind,” a wistful ode to a city that the singer has always adored and to which she paid tribute on her 2022 album Rhythm in New York; and gives an urgent, insistent read of the standard “All or Nothing at All” in Cowherd’s briskly swinging arrangement.
There is no shortage of ballads on the album, however. The Rodgers and Hammerstein classic “Bali Hai,” from South Pacific, finds James pining for another far-off island – a tropical one this time, rather than the urban jungle of Manhattan. It opens as a tender duet with Cowherd before Acuña’s shimmering percussion ushers in the band and its gently rocking rhythm suggesting gently lapping waves.
An expanded ensemble – highlighted by Bob Sheppard’s alto flute and the guitars of Larry Koonse and Steve Cardenas – gives a lush, dreamlike atmosphere to “Photograph,” best known for Sarah Vaughan’s version. Regret tinges the last-call desolation of “For Every Man There’s a Woman,” while Cowherd gives a stark, minimal framing to the timeless lament “Danny Boy.” John Ellis’ bass clarinet summons a low, moaning mournfulness for Michel Legrand’s “I Was Born in Love with You;” the same composer, along with lyricists Alan and Marilyn Bergman, was also responsible for “I Will Say Goodbye,” which closes the album on a valedictory note.
In addition to these favorites, James contributes three originals to the session. The title track, written with Pata, Cunliffe and James, features Ronnie Foster’s B3 weaving blues filigrees around James’ entreating melodies, while “Let’s Try” brings back Ellis’ bass clarinet for a searching call and response with the vocalist. “Let’s Talk of Love” brims with a breezy optimism, buoyant with an old-fashioned swing made weightless by Royston’s elegant touch.
This captivating collection is perfectly crafted to offer a balm for troubled spirits. James’ smoky, enrapturing voice is a direct conduit for the emotion of a song, free of extraneous adornments. Another way of reading the album’s title is as James’ approach to her material; she delves deep into a lyric in search of its expressive heart, exposing its deepest meanings to those of us listening in.
“The songs on this album are all closely felt in my thoughts these days,” she says. “I wanted to convey to everyone who likes my work that love can be lost and then found once again, no matter what passes in life. Whether in my writing or in choosing covers, I hoped people will feel what I felt when I connected with these songs.”
Andy James • Let Me See Your Heart
Le Coq Records • Digital Release Date: June 7, 2024; CD Release Date: July 5, 2024
Recorded at Studio A, Las Vegas, and at Capitol Studios, Los Angeles
Produced by Piero J. Pata and Andy James
Andy James LIVE! at Vibrato Jazz Club in LA on Tuesday, March 27th 2024
Vocalist Andy James performs with Bruce Barth at Vibrato Grill in LA on Tuesday,
March 27th. Doors are at 6:00PM and the show is at 7:00PM. Andy James LIVE features
Bruce Barth on piano, John Ellis on saxophone, John Beasly on Rodes, Clarence Penn on drums and Alex Acuña on percussion. MORE TO BE ADDED
News: Andy James and The Jon Cowherd Sextet Debut in Europe
The Sextet Features Pianist Jon Cowherd, Percussionist Alex Acuña, Guitarist Chico Pinheiro, Drummer Jeff Ballard, Saxophonist John Ellis and Bassist Christopher Thomas
The Las Vegas-based jazz label Le Coq Records, founded in 2020, makes its European debut this December with dates in France and Italy. The European tour will span eight dates in seven cities.
"Honest jazz," that's the succinct but profound guiding principle behind Le Coq Records, as cited by founder Piero Pata. "Deceptively simple, it's a foundational tenet that promises a wide-ranging yet incisively curated catalogue of virtuoso veterans and rising stars, vigorous swing and ebullient Latin rhythms, traditional jazz values and sophisticated modern sensibilities."
The Jon Cowherd Sextet showcases a number of artists and players who comprise the diverse Le Coq arsenal, including pianist Jon Cowherd, percussionist Alex Acuña, guitarist Chico Pinheiro, drummer Jeff Ballard, saxophonist John Ellis and bassist Christopher Thomas.
Tour Dates
Friday, December 8 - Paris, France // Le Barbizon
Saturday, December 9 - Paris, France // Le Barbizon
Sunday, December 10 - Bergamo, Italy // Druso
Monday, December 11 - Florence, Italy // Jazz Club
Wednesday, December 13 - Taranto, Italy // Stazione 37
Thursday, December 14 - Messina, Italy // Retronouveau
Friday, December 15 - Naples, Italy // Salvo D'Acquisto
Saturday, December 16 - Rome, Italy // Alexanderplatz
Andy James release a cover of the late Luther Vandross classic "Dance with My Father”
In honor of Father's Day, Andy James, the enigmatic vocalist and songwriter, has bestowed upon us a soul-stirring rendition of the late Luther Vandross' timeless classic, "Dance with My Father". With a voice that resonates with both power and tenderness, James pays homage to the cherished memories of paternal love and the irreplaceable bond between father and daughter . James infuses her own heartfelt emotion into every note, weaving a tapestry of nostalgia and longing. Her interpretation breathes new life into the beloved anthem, reminding us of the enduring significance of family and the profound impact of a father's love. Through his soulful delivery, Andy James invites listeners to embrace the cherished moments and celebrate the enduring legacy of paternal affection. This single release stands not only as a tribute to Luther Vandross' musical legacy but also as a poignant reminder of the profound connections that shape our lives.
Available now on all streaming Platforms Link
Music: Andy James “Rhythm in New York”
Vocalist Andy James Celebrates One Of The
Greatest Cities In The World, And The Mecca of Jazz,
On Her Wide-Ranging New Album
Rhythm in New York, Due Out April 15 On Le Coq Records, Features An All-Star Band Including John Patitucci,
Jon Cowherd, Chris Potter, Marcus Strickland,
Terell Stafford, Nate Smith, Marcus Gilmore,
Adam Rogers, Chico Pinheiro and Others
While she grew up in Australia, traveled the world as a renowned Flamenco dancer, and now makes her home in Las Vegas, vocalist Andy James has always loved New York City – whether dreaming of the Big Apple from afar or exploring the always thriving jazz scene of the city as both listener and performer.
“New York City – what a town!” James exults. “It has always held a special place in my heart. Even as a child growing up in Australia, I would see the great singers performing on the television from this special place and think, ‘If only that could be me!’”
On her latest album for Le Coq Records, James captures the vibrant tempo and exhilarating thrills always unfolding in the thoroughfares of the city that never sleeps. Due out April 15, Rhythm in New York features a stunning mix of classic standards and original music inspired by life in Manhattan. As has become standard for Le Coq releases, the album boasts an unparalleled line-up of in-demand musicians, all of who have captivated audiences on the bandstands of New York and beyond.
James’ key collaborator on Rhythm in New York is John Patitucci, who not only graces every track with his virtuosic bass playing but co-wrote several tunes with James and his daughter, singer-songwriter Greisun. They’re joined by pianist Jon Cowherd, drummers Nate Smith and Marcus Gilmore, saxophonists Chris Potter and Marcus Strickland, trumpeter Terell Stafford, flutist David Mann, guitarists Adam Rogers and Chico Pinheiro, and percussionists Alex Acuña and Rogerio Boccato. Additionally, Cowherd and Patitucci collectively arranged all 15 songs on the album.
While Patitucci has been a key member of the Le Coq family since its launch, he and James furthered their collaboration last year with the collaborative outing An Evening with John Patitucci & Andy James, which inaugurated the singer’s venture into original compositions.
“Although I’ve always loved the songs of the past – who wouldn’t? – I thought it was time to express myself more as a writer of music on this album,” James explains. “I feel it’s necessary to convey my sentiments in music so I can grow further as a singer and musician. My collaboration with John Patitucci and his daughter Greisun has been an enormous pleasure for me. They are so talented and always know what I’m looking for; which I’m sure is helped by their family bond.”
Speaking of family bonds, James’ other co-writer on Rhythm in New York is her husband and dance partner, Le Coq founder Piero Pata, who contributed to two new pieces on the album, “Time To Think” and “Just In Time.” As James explains, “Working with Piero has really been easy. Wherever I am, he seems to catch and remember the melodies that I’ve been casually humming around the house and later brings them to me with lyrics already attached. It makes a great start for a song. Of course, then I sink my teeth into them and change just enough to make it me.”
In writing as well as selecting songs for the album, James thought back over the many memorable visits she’s enjoyed to New York City, stretching back to childhood trips with her parents, who would occasionally travel to the States on business and bring their artistic daughter along. As an adult she would return often to soak in the nightlife and take in the influences that helped forge her own singing style.
“My first walk in Central Park in the snow will always be a highlight,” James recalls. “I will never forget the colors of Times Square at night, the people swarming all over the place with excitement, the magnitude of the shows on offer on every street. I would wander for hours finding one exciting nook and cranny after another to enjoy musicians. Whether at Birdland Jazz Club or the Village Vanguard, there was always someone special to admire.”
Rhythm in New York spotlights a wide variety of moods and styles, while showcasing the jaw-dropping musicianship of the assembled artists. James so admires her collaborators that in at least one instance – her and Pata’s own “Just In Time” – she decided to remove her vocals altogether and let the band shine on their own. But throughout, from the enticing, Bossa-inflected opener “There Will Never Be Another You,” through the lush original ballad “Day Dream” and the Flamenco-inspired “El Ritmo,” to the wistful farewell of “I’ll Be Seeing You,” James finds endless inspiration in her adoration for the city.
“I tried to capture my feelings when I was younger, to convey my impressions traveling to this great city,” she explains. “New York is a city of love in many ways, and its people have proved this on countless occasions. The beauty of the seasons always leaves me breathless. It has so many musical tastes for anybody to enjoy: R&B, pop, opera, musical comedy, and of course my favorite, jazz. It is one of my favorite places on Earth.”
Music: Andy James New Album "An Evening with Andy James & John Patitucci"
AVAILABLE NOW via LE COQ RECORDS
VOCALIST ANDY JAMES AND
BASS MASTER JOHN PATITUCCI TEAM UP TO CRAFT
AN INTIMATE EVENING OF JAZZ STANDARDS AND
POP CLASSICS BACKED BY AN ALL-STAR ENSEMBLE
AN EVENING WITH JOHN PATITUCCI & ANDY JAMES,
DUE OUT NOVEMBER 5 ON LE COQ RECORDS,
FEATURES ARRANGEMENTS BY
BILL CUNLIFFE AND CONTRIBUTIONS BY
CHRIS POTTER, RICK MARGITZA, TERELL STAFFORD,
JOHN BEASLEY, VINNIE COLAIUTA AND MORE
On An Evening with John Patitucci & Andy James, two gifted performers join forces to conjure an intimate evening of captivating music. At a time when jazz aficionados around the world have been starved for musical experiences, the album recreates the sultry atmosphere of a candlelight nightclub as some of the most revered musicians in modern jazz perform classic standards.
Due out November 5 via Le Coq Records, An Evening with John Patitucci & Andy James features nearly 90 minutes of scintillating music featuring an incomparable ensemble. In addition to James’ mesmerizing vocals and Patitucci’s bass mastery, the album boasts arrangements by piano great Bill Cunliffe for an ensemble that includes saxophonists Chris Potter and Rick Margitza, trumpeter Terell Stafford, guitarists Chico Pinheiro and Jake Langley, keyboardists John Beasley and Jon Cowherd, percussionist Alex Acuña, drummers Vinnie Colaiuta, Marcus Gilmore and Marvin “Smitty” Smith, along with powerful horn and string sections.
“I wanted people to just sit back and enjoy a listening experience of serene pleasure,” declares James. “John and I tried to create something easy to listen to that would leave people feeling good afterwards. I recorded the album in anticipation that people wouldn’t something too complicated at this time we all find ourselves in.”
Jazz singing and Flamenco dance have been parallel passions throughout Andy James’ life. Flamenco took prominence during what she now refers to as “act one” of her artistic life. She became renowned as a world-class Flamenco dancer, enjoying a successful career dancing with husband and partner Piero Pata in Madrid.
For “act two,” James relocated to the U.S. and focused on her singing career, renewing collaborations with the great jazz musicians who had crossed her path while they traveled through Europe. She and Pata launched Le Coq Records, releasing a series of albums ranging in style from the elegance of the female jazz swing tradition to vintage R&B to the post-bop urgency of the classic Blue Note era.
An estimable professional family has quickly found a home at the label, with Patitucci, Acuña and Cunliffe playing key roles on a number of releases and several musicians making recurring appearances from one recording to the next. On An Evening With…, Patitucci proves an ideal partner for James, bringing his revered tone and musical vision to the project and convening the ideal musicians for each piece.
“When choosing personnel for any project,” Patitucci explains, “I try to find the greatest musicians that I have longstanding relationships with, in order to have the opportunity to get more deeply into the music at hand.”
Over the course of a career lasting four decades, Patitucci has forged essential collaborations with some of the most acclaimed artists in jazz and beyond, most notably long-lasting partnerships with iconic saxophonist Wayne Shorter and the late Chick Corea.
Speaking of James, Patitucci says, “Andy is a very generous and flexible collaborator. She has a great love for the Great American Songbook. When she sings, her phrasing is reminiscent of so many of the great singers that I grew up listening to. The style that she sings in provides the opportunity to write arrangements for larger orchestrations.”
James returns the compliment. “John is very important to my whole performance. Without John’s playing I would have been restricted in the way I could sing and approach every song in the album. John Patitucci brings a deep sound that allows me the freedom to sing with a lot of mood or feeling in my voice. He gives me a lot of space to create a meaningful performance.”
From the intoxicatingly lush opener “Autumn in New York,” with Patitucci’s robust bass matched by a fervent tenor solo by Potter, to the last-call balladry of “Angel Eyes” that closes the set, An Evening with John Patitucci & Andy James features countless classic songs along with a few surprises, including the smoldering James and Pata-penned love song “Burn for Love.”
As she did on her previous release, Tu Amor, James reaches into her Latin influences on “Besame Mucho.” In addition to a number of well-known jazz standards James stretches the American Songbook to encompass great pop and rock classics like The Beatles’ “Blackbird” and James Taylor’s “Fire and Rain.”
The choices certainly inspire passionate playing from James and Patitucci’s guests, with standouts including Rick Margitza’s soaring solo on “Fire and Rain,” Terell Stafford’s heart-wrenching take on “Moonlight in Vermont,” and the soulful playing of Potter and John Beasley on the Gerry Goffin/Carole King favorite “Will You Still Love Me Tomorrow.”
“The songs came naturally,” James explains. “I just wanted to sing some beautiful songs. The mood I had in mind when choosing these songs was one of love – I just wanted people to find love with each other again after the era of Covid!”
John Patitucci and Andy James ·An Evening With John Patitucci & Andy James
Le Coq Records · Release Date: November 5, 2021
Music: Andy James "Tu Amor" Out Now!
Available now on All Streaming Platforms
When Andy James sings, she doesn’t simply cover a song, she inhabits it. Rather than merely reciting the lyrics, she seems to place herself within their context. There’s a sense which natural singers possess, allowing them to make unplanned decisions and execute tonal shifts while already at the microphone. Whereas musicians are afforded at least some small margin for error and recovery, a vocalist isn’t quite so fortunate. A single note, rendered at the wrong pitch, becomes a glaringly obvious mistake. James, used to the arduous demands of a former life spent as an internationally renowned flamenco dancer, maintains an admirable level of control; she dances as close to the tension line as possible, without crossing its threshold.
Of course, it helps to have friends in the right places. In Bill Cunliffe she has found not only a pianist, but an arranger; someone for whom the responsibility of each album’s musical direction is paramount. The Grammy-winner’s versatility allows him to seamlessly transition the band away from the post-bop, basement jazz club mood of James’ previous effort, entitled Blue, to a rollicking new celebration of Latin influences in jazz. From its pastel-streaked cover to the bossa nova and cha-cha rhythms ingrained amongst its track list to the ever present guiros and cowbells, Tu Amor marries the excitement of James’ dance background with the fundamental intricacy of jazz.
It was inevitable that these influences would manifest themselves within and throughout her career, but it is on Tu Amor that they become fully prominent. She acknowledged the album’s connection to both art forms, stating that “it enabled me to touch on all the rhythms of both styles to which I wasn't able to express on my former albums.” Among others, “Perfidia” and “Call Me” play to the Latin jazz theme, with the latter being an opportunity for James to croon Petula Clark’s familiar lyrics with a smile evident in her voice. This is where the singer excels, clearly having a good time with her band while taking serious the demands of her chosen material. One of the most enjoyable factors of this album is that it allows her more opportunity to loosen up and take a lighthearted approach to the music.
Her commitment to that mindset offers up one of the album’s seemingly endless little surprises in “Papa Loves Mambo.” The wacky, upbeat tune, made famous by Perry Como and Nat “King” Cole, was due for a woman’s touch. Sobering significantly, the singer offers a concession to the traditional love ballad in Mancini’s “Loss of Love,” replete with mournful horn section and a gentle rhythm kept at Vinnie Colaiuta’s drum kit. James seems at ease working with slower material, perfectly articulating the lyrics’ plaintive subject matter.
The entire mood of Tu Amor radiates outward from its not-quite-centrally located title track, written by Peruvian percussionist Alex Acuña, whose contributions are quite overt throughout the album. Taking advantage of the freedom given to them, the band, now ten strong, brings the theme to its culmination with “Evil Ways,” one of Carlos Santana’s most recognizable tunes. Cunliffe splits the melody with the rhythm section, organically bringing a classic rock staple into the jazz fold. In another of those little surprises, Andy James demonstrates that the mark of a great singer is modesty, setting aside her microphone for both of the performances, the former being utilized as a palate-cleansing denouement.
If not modesty or perfectionism, perhaps Andy James’ finest trait is versatility. Since boxing up her dancing shoes late in the 2000s, she has recorded four individual albums, each of its own distinct personality. As tempted as we listeners are to look eagerly to the future, let us restrain our attentions to the present - to Tu Amor, and endless little surprises.
PETER J. HOETJES
Music Andy James New Album “Tu Amor“
Le Coq Records announces the upcoming Andy James album “Tu Amor “ available on all music streaming platforms on January 22, 2021. An upbeat jazz album with an impressive repertoire of guest musicians (John Patitucci, Vinnie Colaiuta, Alex Acuna, Dan Higgins and Bill Cunliffe just to name a few. Tracks reminiscent of classic singers such as Billie Holiday and Etta Fitzgerald. Andy James brings her soulful style to life with flawless renditions of beloved jazz melodies are told through the singer's own style that deserves to be played loud and live. Fans of traditional jazz and masterful mixing will appreciate Tu Amor and Andy James' classic but unique and emotional voice.
(Photos) Le Coq Records Jazz Series Presents: John Patitucci Quartet w/ Special Guest Andy James & Alex Acuña Live at Myrons Jazz Cabaret
Le Coq Records brought you a cache of the most remarkable and noteworthy jazz talents at Myrons Jazz Cabaret inside the Smith Center . John Patitucci Quartet featuring John Beasley (piano), Marvin “Smitty” Smith (drums), and Ralph Moore (Saxophone). Along with singer extraordinaire, Andy James, sang a curated lineup of classic jazz hits that left the crowd tapping your toes and grinning ear to ear. Musical director, Bill Cunliffe, lead the band of heavy hitters: Alex Acuña, Marvin "Smitty" Smith, Chris Colangelo, Ralph Moore, Michael Dease, Kye Palmer, and Vegas names Jake Langley, Charles McNeal.
(Video) "I Heard It Through The Grapevine" (Lyric Videos) | Andy James
Critically Acclaimed singer Andy James w/ Grammy Award Winner Music Arranger Bill Cunliffe along with Charles McNeal on Saxsaphone brings you a Marvin Gaye classic rendition of "I Heard It Through The Grapevine" Lyric Video off her latest Album "BLUE" available now https://foundation-media.ffm.to/blue
(Video) "The Look of Love" (Lyric Videos) | Andy James
Critically Acclaimed singer Andy James w/ Grammy Award Winner Bill Cunliffe along with Terell Stafford on trumpet and Michael Dease on trombone bring to you "The Look of Love" Lyric Video off her latest Album "BLUE" available now on all music platforms
